Paper

Custom frames for works on paper

Works on paper, such as photographs and pastel and charcoal drawings, are more fragile than those on canvas.

Their supervision requires particular special care that only professional framers like those at Atelier Daniel can provide.

Paper, unchanged for 700 years

Works on paper, such as photographs and pastel and charcoal drawings, are more fragile than those on canvas.

Their supervision requires particular special care that only professional framers like those at Atelier Daniel can provide.

Preferred papers

If you are looking for work on paper, consider first those made on 100% rag or acid-proofed alpha-cellulose paper. These will stand up well to the test of time once the work is professionally framed.

If you’re going to print pictures on paper, ask your printer for the best possible quality.

Papers of uncertain conservation

Photocopier paper, newsprint, Kraft paper, corrugated cardboard, cardboard and recycled paper are not recommended if you plan to keep them for years.

These papers tend to degrade relatively quickly because of the alum, an element in the paper’s composition that destroys the paper over time. The acids are produced by the degradation of lignin, a component of the wood (and its pulp), during papermaking.

A wooden frame or even paper that contains these acids can also contaminate paper that was initially free of them over time.

Because acid damage is permanent, it is essential to have your most sensitive works framed by an experienced professional. If necessary, they can use a soaking method to neutralize the papers’ acid content.

The sworn enemies of paper

To ensure your work’s longevity on paper, there is nothing like a quality frame, which will go a long way to keeping it away from unwanted guests.

Heat

 

High temperatures increase molecular activity and organic reactions, which accelerate the aging of the paper. If heat is combined with high humidity, it can lead to mold growth and insect infestation.

And the cold?

Low temperatures do not usually cause problems.

To avoid exposing the paper to pollutants as much as possible:

  • Do not store the work in the garage or any other place where combustion and its by-products are present.

To remove some of the airborne pollutants, you can also use an air filter that you maintain adequately for the best results.

Note, however, that if a work of art on paper has been exposed to chemical agents, these can continue to damage even if it is then placed in an environment where the air is filtered.

The damage caused by air pollutants is mostly irreversible.

If you notice a deterioration of your work of art on paper, our team will remove all traces of pollutants to stop the progression of the damage.

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